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The Collaborative International Dictionary
Cinematographer

Cinematographer \Cin`e*ma*tog"ra*pher\, n.

  1. One who takes motion pictures with a movie camera, especially one expert in the art.

  2. one who exhibits motion pictures; an operator of a motion picture projector; a projectionist. [Webster 1913 Suppl.] -- Cin`e*mat`o*graph"ic, a. -- Cin`e*mat`o*graph"ic*al*ly, adv.

Douglas Harper's Etymology Dictionary
cinematographer

1897, agent noun from cinematograph (see cinematography).

Wiktionary
cinematographer

n. 1 (context cinematography English) A photographer who operates a movie camera, or who oversees the operations of the cameras and lighting when making a film. 2 One who exhibits motion pictures; a projectionist.

WordNet
cinematographer

n. a photographer who operates a movie camera [syn: cameraman, camera operator]

Wikipedia
Cinematographer

A cinematographer or director of photography (sometimes shortened to DP or DOP) is the chief over the camera crews working on a film, television production or other live action piece and is responsible for making artistic and technical decisions related to the image. The study and practice of this field is referred to as cinematography. Some filmmakers say that the cinematographer is just the chief over the camera and lighting, and the director of photography is the chief over all the photography components of film, including framing, costumes, makeup, and lighting, as well as the assistant of the post producer for color correction and grading.

The cinematographer selects the camera, film stock, lens, filters, etc., to realize the scene in accordance with the intentions of the director. Relations between the cinematographer and director vary; in some instances the director will allow the cinematographer complete independence; in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is not common once the director and cinematographer have become comfortable with each other; the director will typically convey to the cinematographer what is wanted from a scene visually, and allow the cinematographer latitude in achieving that effect.

Several American cinematographers have become directors, including Barry Sonnenfeld, originally the Coen brothers' DP; Jan de Bont, cinematographer on films as Die Hard and Basic Instinct, directed Speed and Twister. In 2014, Wally Pfister, cinematographer on Christopher Nolan's three Batman films, made his directorial debut with Transcendence; whilst British cinematographers Jack Cardiff and Freddie Francis regularly moved between the two positions.

Usage examples of "cinematographer".

As a boy he had dreamed of finding this lost family treasure, and here in LA the bummer cinematographer, who was also to die in suspicious circumstances, presented the object to him with a stern warning of the negative powers attached to the relic.

As he looked through the telephoto lens of the viewfinder, he moved the camera from the portico, sweeping across the facade of the cathedral, then panning across the crowd of tourists and pilgrims, as if capturing the entire scene on video, an amateur cinematographer.

Byers identified it as the knife he had given to the cinematographer, a knife that, he said, his wife, Melissa, had given to him a few years before as a Christmas present.

He wondered if there were more jobs for cinematographers in New York than in L.

Stars, producers, director, supporting players, extras, scenery and locations, set designers, cinematographers, special effects, composer, costumers, it's a costume drama isn't it?

I'm happy for them all, but there's a question that gnaws away inside my head: What if I'd done the same for a hundred black writers, editors, field producers, and cinematographers on my projects over the years?

The ironic thing is that cinematographers and film directors have struggled for years to try to make up for their inability to do what fiction does so easily: tell us what's going on inside a character's mind.

Had they taken the tram to the end of the line young Kenneth would actually have seen the Emerald City, pretty much as Dorothy, Toto, and company had approached it in 1939 on a yellow brick road that was partly on a Metro-Goldwyn-Mayer soundstage and partly in the box of tricks of a process cinematographer.