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ballades

n. (plural of ballade English)

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Ballades (Chopin)

Frédéric Chopin's four ballades are one- movement pieces for solo piano, composed between 1831 and 1842. They are some of the most challenging pieces in the standard piano repertoire.

The term ballade was used by Chopin in the sense of a balletic interlude or dance-piece, equivalent to the old Italian ballata, but the term may also have connotations of the medieval heroic ballad, a narrative minstrel-song, often of a fantastical character. There are dramatic and dance-like elements in Chopin's use of the genre, and he may be said to be a pioneer of the ballade as an abstract musical form. The four ballades are said to have been inspired by poet Adam Mickiewicz. The exact inspiration for each individual ballade, however, is unclear and disputed.

The ballades are considered an innovation of Chopin's and cannot be placed into another form (e.g. sonata). Though they do not conform exactly to sonata form, the "ballade form" created by Chopin for his four ballades is a distinct variant of sonata form with specific discrepancies, such as the mirror reprise (presenting the two expositional themes in reverse order during the recapitulation). The ballades have directly influenced composers such as Franz Liszt and Johannes Brahms who, after Chopin, wrote ballades of their own.

Besides sharing the title, the four ballades are entities distinct from each other. According to composer and music critic Louis Ehlert, "Each [ballade] differs entirely from the others, and they have but one thing in common – their romantic working out and the nobility of their motifs." Modern theorists have shown, however, that the ballades do have much in common, such as the "ballade meter" ( 6/4 or 6/8) and certain formal practices like the mirror reprise and delaying the structural dominant.

The four ballades are among the most enduring of Chopin's compositions and are frequently heard in concerts. They have been recorded many times.

Usage examples of "ballades".

She began with poetry, recalling in ballades and rondeaux her happiness as a wife and mourning her sorrows as a widow.

The audience for the Cent Ballades heard the case for fidelity made in the name of an elderly knight representing Hutin de Vermeilles, a real individual known for loyalty in love and respect for women.

But if I be of any avail (as they deem) in the healing of hearts, I owe my skill of that surgery to remembrance of the days of my youth, when I found none to give me comfort, save what I won from a book that my master had in hand to copy and adorn, namely, "The Book of One Hundred Ballades, containing Counsel to a Knight, that he should love loyally".

Remede there is none, save to make ballades and rondels, and forget sorrow in hunting rhymes, if thou art a maker.

They were now ordering an onslaught on a post of the English beyond the river, and there came into my heart that verse of the "Book of a Hundred Ballades": how a lover must press into breach, and mine, and escalade to win advancement and his lady's favour.

Ready to turn out poetry for any occasion—a total of 1,675 ballades, 661 rondeaux, 80 virelais, 14 lays, and miscellaneous pieces—he now described in verse the “strongholds for men of valor” in Coucy’s many castles of St.

Embodied in a group of poems called the Cent Ballades, the symposium originated among four ardent young knights, including Boucicaut and Comte d’Eu, a cousin of the King, who had been thrown together while on a recent venture in the Holy Land.

In 1389 a firsthand report on the Turks was brought back by Boucicaut on his return from the Holy Land, where he had gone to ransom Comte d’Eu on the journey that produced the Cent Ballades.

Nor was Raoul disturbed by the fact that many of these same villanelles and ballades were patently written in celebration of Adele's visible charms, and made liberal mention of her wine-dark tresses, her golden eyes, and sundry other details no less alluring, and equally essential to feminine perfection.

In the meanwhile, the ballades and their author were gradually waxing in boldness.

De Banville's skill in reviving old forms of verse--triolets, rondeaux, chants royaux, and ballades.

His "Trente Six Ballades Joyeuses" make a far more pleasant subject for a last word.

De Banville never pretends to give any recipes for cooking rondels or ballades worth reading.

Triolets, villanelles, rondels, rondeaus, Ballades by the score with the same old thought: The snows and the roses of yesterday are vanished.

He heard the horse ' s hoofs ringing on the surface of the poem, as you hear the ambling of a horse in one of Chopin ' s ballades.