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is the name of a number of Italian operas, all based on a text by Metastasio. is the Italian form of the name of the king Artaxerxes I of Persia.
There are over 90 known settings of Metastasio's text. The libretto was originally written for, and first set to music by Leonardo Vinci in 1730 for Rome ( Artaserse). It was subsequently set by Johann Adolph Hasse in 1730 for Venice and in 1760 for Naples, by Gluck in 1741 for Milan, by Chiarini in 1741 for Verona, by Graun in 1743 for Stuttgart, by Terradellas in 1744 for Venice, by Galuppi in 1749 for Vienna, by Johann Christian Bach in 1760 for Turin, by Josef Mysliveček in 1774 for Naples ( Artaserse), by Marcos Portugal in 1806 for Lisbon and many other times. The text was often altered.
Thomas Arne's 1762 Artaxerxes is set to an English libretto that is based on Metastasio's. Mozart's aria for soprano and orchestra " Conservati fedele" ( K. 23, 1765) is set to the parting verses of Mandane (Artaserse's sister) at the end of the first scene.
The opera was famously performed in 1734 as a pastiche, featuring songs by various composers such as Johann Adolf Hasse, Attilio Ariosti, Nicola Porpora and Riccardo Broschi. It was in this that Broschi's brother, Farinelli, sang one of his best-known arias, "".
Artaserse is an opera in three acts by the Czech composer Josef Mysliveček, set to a popular libretto (or dramma per musica) by Metastasio that was originally performed in 1730. It was customary to alter the Metastasian text considerably for operas in the 1770s, but this one mainly adheres to the original Metastasian text, albeit with the placement of some scenes re-arranged and some scenes omitted. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria.