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The Collaborative International Dictionary
Ambitus

Ambitus \Am"bi*tus\ ([a^]m"b[i^]*t[u^]s), n. [L. See Ambit, Ambition.]

  1. The exterior edge or border of a thing, as the border of a leaf, or the outline of a bivalve shell.

  2. (Rom. Antiq.) A canvassing for votes.

Wiktionary
ambitus

n. 1 (context music English) the range of a melody, especially those of ecclesiastical chants 2 (context botany zoology English) The exterior edge or border of a thing, such as a leaf or shell. 3 (context historical Roman antiquity English) A canvassing for votes.

Wikipedia
Ambitus

In ancient Roman law, ambitus was a crime of political corruption, mainly a candidate's attempt to influence the outcome of an election through bribery or other forms of soft power. The Latin word ambitus is the origin of the English word "ambition," which is another of its original meanings; ambitus was the process of "going around and commending oneself or one's protégés to the people," an activity liable to unethical excesses. In practice, bringing a charge of ambitus against a public figure became a favored tactic for undermining a political opponent.

The Lex Baebia was the first law criminalizing electoral bribery, instituted by M. Baebius Tamphilus during his consulship in 181 BC. The passage of Rome's first sumptuary law the previous year suggests that the two forms of legislation are related; both were aimed at curbing wealth-based inequities of power and status within the governing classes. The temptation to indulge in bribery indicates that the traditional patron-client relationship was insufficient to gather enough votes to win election.

The word ambitus for electoral corruption is a general term for the crime; defendants would have been charged under a specific statute (lex). The 2nd-century BC Greek historian Polybius, a major source on the workings of the Roman constitution, makes the extravagant assertion that while Carthaginians acquire public office by openly offering gifts, the penalty at Rome for doing so is death. The point is perhaps that ambitus could be construed as treason under some circumstances.

The rhetorical tactics of Cicero's speeches demonstrate how an initial charge of ambitus, under whatever statute, might devolve into an occasion for impugning or humiliating a public figure. Popularist politicians were particularly vulnerable to charges of currying favor with the masses, and ambitus might be alleged when a man of lower social rank defeated his superior in an election: "The defeat of a candidate boasting nobilitas by another not in possession of such standing appears to have been sufficient grounds for initiating a charge of ambitus."

During the Imperial era, the ambitious politician yielded of necessity to the bureaucrat in the holding of Roman magistracies. The Stoic philosopher Epictetus (1st–2nd centuries AD) recoiled from the rough-and-tumble of electoral politics and ambitus:

Bribery of a person already holding office was covered by laws de repetundae; provincial governors were particularly susceptible to such charges.

Ambitus (music)
''This article discusses the use of ambitus in the Middle Ages, for other uses, see Vocal range

Ambitus is a Latin term literally meaning "the going round", and in Medieval Latin means the "course" of a melodic line, most usually referring to the range of scale degrees attributed to a given mode, particularly in Gregorian chant. It may also refer to the range of a voice, instrument, or piece generally (; ). In Gregorian chant specifically, the ambitus is the range, or the distance between the highest and lowest note. Different chants vary widely in their ambitus. Even relatively florid chants like Alleluias may have a narrow ambitus. Earlier writers termed the modal ambitus "perfect" when it was a ninth or tenth (that is, an octave plus one or two notes, either at the top or bottom or both), but from the late fifteenth century onward "perfect ambitus" usually meant one octave, and the ambitus was called "imperfect" when it was less, and "pluperfect" when it was more than an octave .

All of the church modes are distinguished in part by their ambitus . The plagal modes have the final in the middle of the ambitus, while the authentic modes generally go no more than one note below the final.

Ambitus can also be used without reference to how notes are used in a piece (as opposed to register or tessitura).

Usage examples of "ambitus".

Sulla, namely, De Repetundis, Majestatis, De Sicariis et Veneficis, De Parricidio, Peculatus, Ambitus, De Nummis Adulterinis, De Falsis or Testamentaria, and De Vi Publica.

Most effective, in a functional sense, was the protection the architect distilled, as it were, from the ambitus of his houses.