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Bandido (album)

Bandido is the fourth studio album by Spanish duo Azúcar Moreno, released on CBS- Epic in 1990. The album became the Salazár sisters' international breakthrough.

The title track " Bandido" was chosen to represent Spain in the Eurovision Song Contest 1990, held in Zagreb, Yugoslavia. A house music anthem, co-written and produced by one of Spain's most prolific dance producers Raúl Orellana, complete with palmas and flamenco guitars, "Bandido" was turned down by the bookmakers before the contest since Spain's previous ethnic entries usually never fared well; in 1983 fellow flamenco singer Remedios Amaya's " ¿Quién maneja mi barca?" had for example finished last with zero points. Despite this the song finished an honourable fifth and was given the full 12 points score from countries like West Germany and it became the starting point of Azúcar Moreno's international career. "Bandido" became a major club hit in the summer of 1990 not only in the Mediterranean countries but also the rest of Continental Europe and Scandinavia and the 12" Deep Mix, issued with a new promo video, was put on heavy rotation on music TV channels like MTV Europe and Super Channel. In Sweden the song was remixed by DJ Emil Hellman and re-issued on the Swemix label. The song has been covered in Turkish by singer Askin Nur Yengi under the title "Zehir Gibisin", in Dutch as "Alleen maar de zon" by Paul de Leeuw and the Deep Mix version of the song was recorded in Spanish by Serbian singer Ceca Raznatovic. In 2005 "Bandido" was included in the Eurovision 50th anniversary CD/DVD box set Winners and classics.

The Bandido album, which sold triple platinum in Spain, was the first to be released in most parts of the world, including Europe, the Middle East, South and Central America and later also Japan, Australasia and the United States, where it reached #3 on Billboard's Latin Pop chart. Bandido continued the musical development started on the preceding Carne De Melocotón by combining the sisters' typical ethnic vocal style with flamenco guitars and influences from contemporary rock, pop and dance music. Besides original material the album also included a number of cover versions of songs from a diverse range of genres, including Latin traditionals like "A Caballo" (also known as "El Carretero"), American jazz and mambo king Tito Puente's standard "Oye Como Va" coupled with Santana's "Guajira", Spanish Flamenco singer-songwriter Pepe de Lucía's "Rumba Rumba" - and even a house music/flamenco version of Mary Hopkin's 60's hit " Those Were the Days", originally a Russian folk melody.

The second single released from the album in Spain was a cover of Lalo Rodríguez' 80s hit "Ven Devórame Otra Vez" which became an even bigger success than "Bandido", reaching #9 on Billboard's Hot Latin Tracks chart, and today counts as one of the duo's signature tunes, they even re-recorded the track on their 2006 album Bailando Con Lola. Further singles from the album include "Oye Como Va" / "Guajira" and "A Caballo", all of which were also released as 12" dance remixes, these were later that same year collected on the duo's second remix compilation The Sugar Mix Album.

The original album versions of "Bandido", "Devórame Otra Vez", "Oye Como Va" / "Guajira" and "A Caballo" were all featured on Azúcar Moreno's first greatest hits album Mucho Azúcar - Grandes Éxitos, released in 1997.

Bandido was released on CD in 1990 and remains in print in most parts of the world.

Bandido (song)

"Bandido" (, "Bandit"), written by José Luis Abel and composed by Raúl Orellana and Jaime Stinus, was Spain's entry in the Eurovision Song Contest 1990, performed by the sister duo Azúcar Moreno. It was covered by Aşkın Nur Yengi, Turkish singer as "Zehir Gibisin" ("You're like a poison" in Turkish) in her second album, Hesap Ver (Explain in Turkish), which was released in 1991.

Bandido (1956 film)

Bandido is a 1956 Western movie starring Robert Mitchum. The supporting cast includes Ursula Thiess, Gilbert Roland, and Zachary Scott. The film, set in the Mexican Revolution and filmed on location around Acapulco, was written by Earl Felton and directed by Richard Fleischer. Robert Mitchum also co-produced the film through his DRM Productions company.

Bandido (2004 film)

Bandido ("Bandit") is a 2004 action film written by Scott Duncan and Carlos Gallardo and directed by Roger Christian. The story revolves around the CIA framing skilled thief Max Cruz aka "Bandido" (Gallardo) in order to gain his cooperation in helping them recover intelligence data that was stolen by Beno Gildemontes ( Kim Coates), a Mexican Crime lord.

Bandido

Bandido may refer to:

  • "Bandido" (song), Spain's entry in the Eurovision Song Contest 1990, performed by Azúcar Moreno
  • Bandido (1956 film), a 1956 Western movie starring Robert Mitchum
  • Bandido (supergroup), an American supergroup with Al Hurricane as the lead singer
  • Bandido (2004 film), a 2004 action film directed by Roger Christian
  • Bandido (album), a 1990 album by Azúcar Moreno
  • Bandidas 2006 movie starring Salma Hayek and Penélope Cruz.
Bandido (supergroup)

Bandido were American Spanish-language supergroup albums during the 1980s. They released three studio albums, and a compilation album. All of which charted in Chicago, along the west coast, and internationally in Germany, Venezuela, and Spain.

Their frontman Al Hurricane, as well as his son Al Hurricane, Jr., spoke fondly of their time with the band, but they also reiterated their desire to return to their New Mexico Country- Western Ranchera-loving audience; as they felt that their new sound drifted them away from New Mexicans. The three Bandido albums comprise Al Hurricane's twelfth, fourteenth, and fifteenth albums. Between the first and second Bandido releases Al Hurricane, Sr. and Jr. released 15 Exitos Rancheros alongside Tiny Morrie.

Usage examples of "bandido".

Angels, unlike the other major outlaw motorcycle gangs the Outlaws, Pagans and Bandidos do not have a national president and national officers who give the club direction.

Three other motorcycle gangs compete with the Angels for drug trafficking territory: the Outlaws, the Pagans and the Bandidos.

In keeping with the racist bent of the other Big Four gangs, the Bandidos constitution states provokingly: No fat Mexicans.

All these big boom growths of these satanic churches and the Jim Jones thing, the Bandido motorcycle gangs, the other motorcycle gangs, there are kids out there and they are lonely and they are hurting and they are turning toward something that will give them security.

According to the information tortured out of the few survivors of the ambushers, the shaky alliance of bandido bands had already broken apart, and the couple of hundred annihilated by them yesterday morning had been the last large or really well-armed group.

For example, another Taos-style bandido has since tried to rob the same bank, demanding money while demonstration threatening kung fu chops.

Already a nine-year veteran - he'd begun as a gang kid in Los Angeles whose basic common sense had overcome his ineffectual education - he'd decided that there was no future in the Bandidos when a close friend had died in a drive-by shooting whose purpose he'd never quite figured out.