n. (plural of variation English)
Variations is a classical and rock fusion album. The music was composed by Andrew Lloyd Webber and performed by his younger brother, the cellist Julian Lloyd Webber.
The Lloyd Webber brothers were always very close but their two different careers (a rock musical composer and a classical cellist) meant that a collaboration seemed unlikely. It was not until Julian beat his brother in a bet on a Leyton Orient football match that Andrew was forced to write his cello work.
As his subject, Andrew chose the theme of Paganini's 24th caprice and added 23 variations for cello and rock band. The work premiered at the 1977 Sydmonton Festival with rock band Colosseum II, featuring Gary Moore, Jon Hiseman and Don Airey being joined by Barbara Thompson (sax, flute), Rod Argent (piano, synthesizer, keyboards) and Julian Lloyd Webber (cello). It was subsequently rearranged and recorded in 1978. It reached Number 2 on the UK album charts.
The cover is based on the painting Frederick, Prince of Wales, and his sisters by Philip Mercier.
Variations is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Stravinsky's Variations: Aldous Huxley in memoriam (1963–64). The premiere took place on Thursday, 31 March 1966 at the New York State Theater, Lincoln Center; Balanchine made a new version for City Ballet's 1982 Stravinsky Centennial Celebration.
Variations is the fourth studio album by country artist Eddie Rabbitt. It was released in 1978 under the Elektra Records label. The album produced three singles: "Hearts on Fire," which peaked at number two on the country charts, and two country number one hits: "You Don't Love Me Anymore," which also peaked at 18 on Adult Contemporary charts; and "I Just Want To Love You." "Kentucky Rain," a song co-written by the artist and originally recorded by Elvis Presley in 1970, was also included on the album.
Rabbitt's father, Thomas Rabbitt, plays Irish fiddle on "Song of Ireland."
Variations: Aldous Huxley in memoriam is Igor Stravinsky's last orchestral composition, written in 1963–64.
Usage examples of "variations".
Why, if man can by patience select variations most useful to himself, should nature fail in selecting variations useful, under changing conditions of life, to her living products?
I can see no difficulty in natural selection preserving and continually accumulating variations of instinct to any extent that may be profitable.
I presume that no one will doubt that all such analogous variations are due to the several races of the pigeon having inherited from a common parent the same constitution and tendency to variation, when acted on by similar unknown influences.
Nothing at first can appear more difficult to believe than that the more complex organs and instincts should have been perfected, not by means superior to, though analogous with, human reason, but by the accumulation of innumerable slight variations, each good for the individual possessor.
Whether such variability be taken advantage of by natural selection, and whether the variations be accumulated to a greater or lesser amount, thus causing a greater or lesser amount of modification in the varying species, depends on many complex contingencies,--on the variability being of a beneficial nature, on the power of intercrossing, on the rate of breeding, on the slowly changing physical conditions of the country, and more especially on the nature of the other inhabitants with which the varying species comes into competition.
We shall thus also be enabled to see the respective parts which habit and the selection of so-called accidental variations have played in modifying the mental qualities of our domestic animals.
In a future chapter I shall attempt to show that the adult differs from its embryo, owing to variations supervening at a not early age, and being inherited at a corresponding age.
If then we have under nature variability and a powerful agent always ready to act and select, why should we doubt that variations in any way useful to beings, under their excessively complex relations of life, would be preserved, accumulated, and inherited?
I cannot doubt that the continued selection of slight variations, either in the leaves, the flowers, or the fruit, will produce races differing from each other chiefly in these characters.
He can never act by selection, excepting on variations which are first given to him in some slight degree by nature.
I am inclined to suspect that we see in these polymorphic genera variations in points of structure which are of no service or disservice to the species, and which consequently have not been seized on and rendered definite by natural selection, as hereafter will be explained.
We have seen that man by selection can certainly produce great results, and can adapt organic beings to his own uses, through the accumulation of slight but useful variations, given to him by the hand of Nature.
Can it, then, be thought improbable, seeing that variations useful to man have undoubtedly occurred, that other variations useful in some way to each being in the great and complex battle of life, should sometimes occur in the course of thousands of generations?
This preservation of favourable variations and the rejection of injurious variations, I call Natural Selection.
A large number of individuals, by giving a better chance for the appearance within any given period of profitable variations, will compensate for a lesser amount of variability in each individual, and is, I believe, an extremely important element of success.