Crossword clues for untitled
Longman Dictionary of Contemporary English
The Collaborative International Dictionary
Untitled \Un*ti"tled\, a.
Not titled; having no title, or appellation of dignity or distinction.
--Spenser.Being without title or right; not entitled.
--Shak.
Douglas Harper's Etymology Dictionary
Wiktionary
a. Having no title.
WordNet
Wikipedia
Untitled or (Untitled) may refer to:
"Untitled" is a song by American alternative rock band The Smashing Pumpkins, written by Billy Corgan. It was their final release and recording as a band before their breakup in 2000.
(Untitled) is the ninth album by the American rock band The Byrds and was released in September 1970 on Columbia Records (see 1970 in music). It is a double album, with the first LP featuring live concert recordings from two early 1970 performances in New York City and with the second LP consisting of new studio recordings. The album represented the first official release of any live recordings by the band as well as the first appearance on a Byrds' record of new recruit Skip Battin, who had replaced the band's previous bass player, John York, in late 1969.
The studio album mostly consisted of newly written, self-penned material, including a number of songs that had been composed by band leader Roger McGuinn and Broadway theatre director Jacques Levy for a planned country rock musical that the pair were developing. The production was to have been based on Henrik Ibsen's Peer Gynt and staged under the title of Gene Tryp (an anagram of Ibsen's play), with the narrative taking place in the south-west of America during the mid-19th century. However, plans for the musical fell through and five of the songs that had been intended for Gene Tryp were instead recorded by The Byrds for (Untitled)—although only four appeared in the album's final running order.
The album peaked at #40 on the Billboard Top LPs chart and reached #11 on the UK Albums Chart. A single taken from the album, " Chestnut Mare" b/w "Just a Season", was released in the U.S. in October 1970 but missed the Billboard Hot 100 chart, bubbling under at #121. The single was later released in the UK in January 1971, where it did considerably better, reaching #19 on the UK Singles Chart. Upon release, (Untitled) was met with positive reviews and strong sales, with many critics and fans regarding the album as a return to form for the band. Likewise, the album is today generally regarded as being the best that the latter-day line-up of The Byrds produced.
"Untitled (How Could This Happen to Me?)" is a song by Canadian pop punk group Simple Plan. It was released in April 2005 as the third single from their second studio album, Still Not Getting Any.... The song's official title, when the CD was released, was simply "Untitled".
The second album by Canadian indie rock band Wintersleep is untitled. It was released February 15, 2005 on Dependent Music.
The CD contains a hidden track called "Spring". The song can be heard by rewinding the first track of the CD, as it is found in the pregap of the first track.
In 2006, Jud Haynes and James Mejia, who did the artwork for the album, were nominated for a Juno in the category of "CD/DVD Artwork Design of the Year".
Untitled is the title of the debut album from UK R&B / Soul singer Terri Walker. The album was released in 2003 by Def Soul/Mercury Records and spawned 3 singles, "Guess You Didn't Love Me" (Featuring Mos Def), "Ching Ching (Lovin' You Still)" (her first and only UK top 40 hit to date) and "Drawing Board" (promo only).
The album was nominated for a MOBO award and it was also nominated for the Mercury Music Prize for album of the year.
Untitled is the debut and only album from the alternative metal band Five Pointe O. The album was released on March 19, 2002 via Roadrunner Records. The album's only single, "Double X Minus", received moderate airplay on MTV2's Headbangers Ball and Kerrang! TV.
"The Infinity" was featured on the Resident Evil soundtrack.
Untitled (Scoop) is a promotional EP of exclusively instrumental songs by German electronica band The Notwist used to promote their album Neon Golden. After the success of Neon Golden, subsequent re-releases of the album contained the tracks from this EP as bonus songs.
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's " Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
"Untitled (How Does It Feel)" is a song by American recording artist D'Angelo, released January 1, 2000 on Virgin Records in the United States. It was issued as a radio single in promotion of his second studio album, Voodoo (2000). Written and produced by D'Angelo and Raphael Saadiq, the song was originally composed as a tribute to musician Prince. "Untitled (How Does It Feel)" contains a vintage style and sound similar to that of Prince's early musical work. The song's lyrics concern a man's plea to his lover for sex.
The song received generally favorable reviews from music critics and it earned D'Angelo a number of awards. "Untitled (How Does It Feel)" also earned notice for its controversial music video. Directed by Paul Hunter and Dominique Trenier, the video consists entirely of one shot featuring a muscular D'Angelo appearing nude and lip-synching to the track. While initial reaction from viewers was divided with praise for its sexuality and accusations of sexual objectification, the video received considerable airplay on music video networks such as MTV and BET, and it helped increase mainstream notice of D'Angelo and Voodoo.
The music video for "Untitled (How Does It Feel)" had a considerable impact on D'Angelo's recording career, as it helped engender an image of him as a sex icon to a younger generation of fans. However, his discontent with this image led to his period of absence from the music scene following the conclusion of the supporting tour for Voodoo. The song won a Grammy Award for Best Male R&B Vocal Performance at the 43rd Grammy Awards in 2001. Rolling Stone magazine named "Untitled (How Does It Feel)" the fourth best single of 2000. The magazine later named it the fifty-first best song of the 2000s (decade).
Untitled (Black on Grey) is a painting of a black rectangle and a grey rectangle. There is a buildup of thin, translucent layers of differently shaded blacks, which are luminous and warm, and not at all forbidding. The overall effect is strangely ambiguous, neither space nor substance, and Mark Rothko himself described them as touching upon the 'historical sublime'.
Rothko suffered an aortic aneurysm in mid-1968 and during his recuperation he was able only to work on stretched paper. The edges were secured using a gummed tape that left a white margin of bare paper at the edge when it was removed. This led to the first of the 'black and grey' paintings that immediately introduced new formal elements:
- The new paintings were in two parts, above and below a single dividing line. A division ran right across the image, from one edge to the other like a horizon line.
- The painted area was framed with a band of white just over a centimetre wide. Later on, Rothko taped the edges of his canvases before painting, so as to produce the same effect.
When asked about the 'grey and black' paintings, he said, quite simply, that they were about death. They are desolate, empty images, but they also afford a richly ambiguous visual experience. Their landscape-like qualities, with the black at the top — an Arctic wasteland under a vast and empty sky — is at the same time more deathlike.
Category:1970 paintings Category:Paintings by Mark Rothko Category:Paintings in Washington, D.C.
Untitled is the ninth studio album by American R&B recording artist R. Kelly. It was released, by Jive Records and Sony Music on November 30, 2009 in the UK; while it was released on December 1, 2009 in the US. It was entirely produced by R. Kelly and features prominently carnal lyrical themes.
The album debuted at number 4 on the US Billboard 200, and reached the top of the Top R&B/Hip-Hop Albums chart. Untitled received generally mixed reviews from contemporary music critics.
untitled (landscape) (in Swedish: ''utan titel (landskap) '') is an 1883-1911 drawing by Swedish artist Carl Fredrik Hill. The drawing is in the collection of the Malmö Art Museum in Sweden.
Category:Swedish paintings Category:Paintings in Sweden
Untitled is a public sculpture by American artist Cary Chapman on the campus of Indiana University-Purdue University Indianapolis, which is near downtown Indianapolis, Indiana. It sits below the back steps of the IUPUI University Library and the Business/SPEA building in Wood Plaza, closest to the corner of New York Street and Blackford Street.
It is a steel sculpture that measures 16 feet high, 4 feet 8 inches long, and 3 feet in width.
Untitled (Jazz Musicians) is an outdoor sculpture by American artist John Spaulding. It is located on the border of Indiana University-Purdue University Indianapolis (IUPUI) campus, near downtown Indianapolis, Indiana, at the corner intersection of Indiana Avenue and West Street. The sculpture faces the historic Madame Walker Theatre Center, which is located across the street.
'Untitled', a public sculpture by Amber Lewis, is located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. This mixed media sculpture consists of a metal bucket filled with rocks which is hung from a rope. This sculpture is hung from a tree which is located in front of the Herron School of Art and Design. It was made in Spring of 2009 as an assignment for a studio art class at the Herron School of Art and Design. Its dimensions are 9' x 1.4' x 1.4'.
Untitled (L's), a public sculpture by American artist David Von Schlegell, is located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. The sculpture is located just north of Joseph Taylor Hall in a grassy courtyard adjacent to Michigan Street. Cavanaugh hall frames the courtyard to the west, the library and Business building are east of the courtyard. This sculpture was created in 1978, and installed at IUPUI in 1980. The sculpture is a Minimalist composition of three identical steel L's. The L structures have a vertical beam that is tall and a horizontal beam of . The beams themselves are high and wide.
Untitled (IUPUI Letters), a public sculpture, was designed by the New York City firm Two Twelve and is located on the Indiana University-Purdue University Indianapolis campus near downtown Indianapolis, Indiana. The sculpture can be viewed at the entrance of the IUPUI Campus Center, at the north-west corner of Vermont Street and University Boulevard.
This sculpture consists of five letters. Each of the letters has a height of 7 feet 5 inches and a length of 3 feet 5 inches. The width of each sculpture varies by letter. Widths are the following for each of the letters represented in the sculpture: "I" is 11.5 inches, "U" is 26.125 inches, and the "P" is 25 inches. The fabricator of the letters was ASI Modulex of Indianapolis. They built the sculptures in May 2008 and installed them in June of the same year.
Untitled is a post-bop/ avant-garde/ fusion jazz lp by Jack DeJohnette on ECM Records ECM-1-1-74, and is the second in a series of albums released under the heading “Jack DeJohnette’s Directions.”
The lp consists of compositions by DeJohnette and the other musicians playing on the session, which was recorded in Oslo, Norway.
Untitled is the second album by the American pop rock duo The Rembrandts, released in 1992 on East West Records. Two songs in this CD were in the top 10 that winter: "Johnny, Have You Seen Her?" and "Chase the Clouds Away". The former peaked at No. 54 on the Billboard Hot 100 singles chart, but unlike the duo's previous and subsequent albums, Untitled failed to chart in the U.S.
Untitled (Krol) is a public artwork by American artist Ronald W. Krol. It is located on the grounds of Pickwick Farms, an apartment complex in Indianapolis, Indiana. The artwork consists of three red rectalinear shapes intersecting each other and resting on concrete pads. Krol’s work is one of several abstract pieces by Herron School of Art graduates that were commissioned in the mid-1970s by real estate developer Robert Born for the Pickwick apartments.
Untitled, is a public artwork by American artist Barney Bright, located at the Jeffersonville Township Public Library in Jeffersonville, Indiana, United States. Untitled was originally surveyed as part of the Smithsonian's Save Outdoor Sculpture! survey in 1993. This abstract sculpture represents the Devonian time period.
Untitled, 1989, is a bronze abstract sculpture by Joel Shapiro.
Constructed in 1989, it is located at the National Gallery of Art Sculpture Garden.
Untitled is an abstract sculpture by Ellsworth Kelly.
Constructed in 1986 of stainless steel, it is at the Hirshhorn Museum and Sculpture Garden.
In 1959, he cut a folded paper coffee top, which he developed into his "rocker" series of abstract sculptures, which he produced from 1963 to 1989.
Untitled is a 2011 British drama-horror film directed by Shaun Troke. Presented in the style of found footage, the film stars Troke alongside Nikki Harrup, Leonora Moore and Danny Goldberg.
Untitled is a sculpture created by American artist Donald Judd in 1967, located at the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States. It consists of a brass bar over a series of five steel boxes in Judd's signature cadmium red.
Untitled is a public art work by American abstract artist James Rosati located at the Lynden Sculpture Garden near Milwaukee, Wisconsin. The sculpture is an abstract form made of Corten steel; it is installed on the lawn.
Untitled (The Birth) is a 1938 tempera painting by American artist Jacob Lawrence, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Depicting a scene of childbirth in flat, geometric forms and bright colors, it is very much a product of the Harlem Renaissance.
Untitled (referred to in Spotify as Split LP) is a split EP by British rock bands Thought Forms and Esben and the Witch, which was released on 7 April 2014 through Invada Records. It was also released as a digital download and on 12" silver vinyl, limited to 500 copies. The EP contains four songs by Thought Forms and two songs by Esben and the Witch, and the songs "Sound of Violence" by Thought Forms and "No Dog" by Esben and the Witch were uploaded to SoundCloud.
Untitled (Urban Wall) is an outdoor mural by Austrian artist Roland Hobart located at 32 North Delaware Street in downtown Indianapolis, Indiana. The mural originally occupied two exterior walls of two four-story commercial buildings at this site. The mural was commissioned by the City of Indianapolis for the Indianapolis Urban Walls Project in 1973. Fabrication of the mural began in September 1973 and finished by the end of the year.
Untitled is an outdoor 1977 steel and porcelain enamel sculpture by American artist John Killmaster, located in downtown Portland, Oregon. It is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council.
Untitled is an outdoor 1977 painted aluminum sculpture by Ivan Morrison, located at Southwest 5th Avenue and Southwest Oak Street in the Transit Mall of Portland, Oregon.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled (Rape Scene) is a color photograph documentation created from a 35mm slide by Cuban American artist Ana Mendieta. She made it during an April 1973 performance while still a student at the University of Iowa. It is one of three photographs she created in reaction to the rape and murder of a woman on campus. The Tate Gallery in London, which owns the work, describes it this way:
Mendieta invited her fellow students to her apartment where, through a door left purposefully ajar, they found her in the position recorded in this photograph, which recreated the scene as reported in the press. Some time later, Mendieta recalled that her audience "all sat down, and started talking about it. I didn’t move. I stayed in position about an hour. It really jolted them." In 1980, she commented that the rape had "moved and frightened" her, elaborating: "I think all my work has been like that – a personal response to a situation ... I can’t see being theoretical about an issue like that." On another occasion she explained that she had created this work "as a reaction against the idea of violence against women."
Art writer Megan Heuer describes the work as capturing the artist's interest in violence. Influenced by the work of the Viennese Actionists, Untitled (Rape Scene) also expresses Mendieta's desire to evoke a visceral reaction from her audience.
Untitled is the second full-length album by American hardcore band The Armed. It was released June 23rd, 2015 for free via Bandcamp. It features drummer Nick Yasyshyn ( Sumac,Baptists) and was recorded and produced by Kurt Ballou at GodCity studio.
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Untitled is an outdoor 1952 fountain and sculpture by Tom Hardy, installed at the Park Blocks in Eugene, Oregon, United States.
Untitled (2004) is a work by graffiti artist Banksy. In 2007, it sold for £33,600.
Untitled was an outdoor mural created in 1972 by architect Peter Mayer located at 430 Massachusetts Avenue in downtown Indianapolis, Indiana. The mural, which featured a large ear of corn with the word "HOOSIER" spelled out in the center in yellow on a white background, occupied the southern wall of the six-story apartment building. The mural was part of the renovation of the apartment complex, which opened on 11 December 1972.
Untitled is an outdoor 1975 sculpture by Lee Kelly, installed at Louisa Boren Park in Seattle, Washington, in the United States. The abstract, welded Cor-Ten steel piece measures approximately x x . It was surveyed and deemed "treatment needed" by the Smithsonian Institution's " Save Outdoor Sculpture!" program in November 1994. The work is part of the Seattle One Percent for Art Collection and administered by the Seattle Arts Commission.
Untitled is a painting by the Russian-American Abstract expressionist artist Mark Rothko. It was painted in 1952. In common with Rothko's other works from this period, Untitled consists of large expanses of colour delineated by uneven, hazy shades.
Untitled, also known as Bench, is an outdoor 2004–2007 Roy McMakin sculpture by Roy McMakin, installed at Olympic Sculpture Park in Seattle, Washington.
Untitled was a serial publication published by the Friends of Photography from 1972 to 1994. A total of 58 numbered publications were issued, first as a small magazine format and later as a series of booklets and full-size books. Numbers 1-10 displayed the series name and issue number on the cover, but as the publications became more specialized each number was titled independently in addition to the series name. The smallest publication in the series was Number 1, with 10 pages, and the largest was Number 43, with 156 pages.
Many of the publications were catalogs of exhibitions held at the Friends of Photography gallery in Carmel, California. The publication featured many famous photographers, including Ansel Adams, Ruth Bernhard, Harry Callahan, Roy DeCarava, Lee Friedlander, Mary Ellen Mark, Aaron Siskind, Paul Strand, Brett Weston, and Edward Weston. It also offered perspectives on newer photographic trends like plastic cameras and the influence of pop art.
Here is a complete list of all 58 publications:
Number
Title
Author
Year
ISBN |--
| 1
| Untitled #1: Edward Weston
| Dody W. Thompson
| 1972
| |--
| 2/3
| Untitled 2 & 3
| Fred R. Parker, editor
| 1973
| |--
| 4
| Untitled No. 4 [Anthony Hernandez and Joseph Jachna]
| Fred R. Parker, editor
| 1973
| |--
| 5
| Untitled 5 | Four Exhibitions: Andre Kertesz, Robert Rauschenberg, Robert Heinecken and Wynn Bullock
| Peter Thompson, editor
| 1973
| |--
| 6
| Untitled 6
| Cheryl Douglas, editor
| 1973 |--
| 7/8
| On Change and Exchange
| Peter Thompson, editor
| 1974
| |--
| 9
| In Time
| Peter Thompson, editor
| 1975
| |--
| 10
| Nancy Newhall 1908/1974
| Beaumont Newhall & Peter Thompson, editors
| 1976
| |--
| 11
| Emerging Los Angeles Photographers
| Rodney C. Stewart
| 1977
| |--
| 12
| Albert Renger-Patzch 1987-1966: Photographs from the Collection of the Friends of Photography
| James Enyeart, editor
| 1977
| |--
| 13
| Plants: Photographs by Don Worth
| James Enyeart
| 1977
| |--
| 14
| Untitled 14
| James Alinder, editor
| 1978
| |--
| 15
| Jerome Liebling: Photographs 1947-1977
| Estelle Jussim
| 1978
| |--
| 16
| Ansel Adams: 50 Years of Portraits
| James Alinder
| 1978
| |--
| 17
| Comparative Photography: A Century of Change in Egypt and Israel - Francis Frith and Jane Reese Williams
| Brian M. Fagan
| 1979
| |--
| 18
| Robert Cumming
| James Alinder
| 1979
| |--
| 19
| Vilem Kriz
| David Feathersone
| 1979
| |--
| 20
| Collecting Light: The Photographs of Ruth Bernhard
| James Alinder
| 1979
| |--
| 21
| The Diana Show: Pictures Through a Plastic Lens
| David Featherstone
| 1980
| |--
| 22
| Images from Within: The Photographs of Edmond Teske
| James Alinder
| 1980
| |--
| 23
| 9 Critics / 9 Photographs
| James Alinder
| 1980
| |--
| 24
| New Landscapes
| Mark Johnstone
| 1988
| |--
| 25
| Discovery and Recognition
| James Alinder
| 1981
| |--
| 26
| Altered Landscapes: The Photographs of John Pfahl
| Peter C. Bunnell
| 1981
| |--
| 27
| Roy De Carava
|James Alinder
| 1981
| |--
| 28
| Postures: The Studio Photographs of Marsha Burns
| David Featherson
| 1982
| |--
| 29
| Wright Morris: Photographs and Words
| James Alinder
| 1982
| |--
| 30
| The Contact Print 1946-1982
| James Alinder
| 1982
| |--
| 31
| Nicholas Nixon: Photographs from One Year
| James Alinder
| 1983
| |--
| 32
| Mario Giacomelli
| Stephen Brigidi and Claire V.C. Peeps
| 1983
| |--
| 33
| Samuel Bourne: Images of India
| Arthur Ollman
| 1983
| |--
| 34
| Marion Post Wolcott: FSA Photographs
| Sally Stein
| 1983
| |--
| 35
| Observations: Essays on Documentary Photography
| David Featherston, editor
| 1984
| |--
| 36
| Harry Callahan: Eleanor
| Anne Kennedy and Nicholas Callaway, editors
| 1984
| |--
| 37
| Ansel Adams: 1902 1984
| James Alinder, editor
| 1984
| |--
| 38
| Todd Walker
| Julia K. Nelson
| 1985
| |--
| 39
| Mary Ellen Mark: Photographs of Mother Teresa's Missions of Charity in India
| David Featherstone
| 1985
| |--
| 40
| Don Worth, Photographs 1955-1985
| Hal Fischer
| 1986
| |--
| 41
| EW 100: Centennial Essays in Honor of Edward Weston
| Peter C. Bunnell and David Feathersone, editors
| 1986
| |--
| 42
| Eikoh Hosoe
| Ronald J. Hill
| 1986
| |--
| 43
| Light Years: The Friends of Photography 1967-1987
| James G. Alinder, editor
| 1987
| |--
| 44
| Olivia Parker: Weighing the Planets
| Olivia Parker
| 1987
| |--
| 45
| Judith Golden: Cycles, A Decade of Photographs
| David Featherstone
| 1988
| |--
| 46
| Frank Gohlke: Landscapes From The Middle Of The World, Photographs 1972-1987
| Ben Lifson
| 1988
| |--
| 47
| Michael Kenna: Night Walk
| Jerome Tarshis
| 1988
| |--
| 48
| Close to Home: Seven Documentary Photographers
| David Featherstone
| 1989
| |--
| 49
| Aaron Siskind: Road Trip, Photographs 1980-1988
| Charles Traub
| 1989
| |--
| 50
| Holly Roberts
| David Featherstone
| 1989
| |--
| 51
| Of Time & Place: Walker Evans & William Christenberry
| Thomas W. Southall
| 1990
| |--
| 52
| Toward a Truer Life - Photographs of China 1980-1990 by Reagan Louie
| Jonthan Spence
| 1991
| |--
| 53
| Zeke Berman: Optiks
| Debra Heimerdinger
| 1991
| |--
| 54
| Lorna Simpson
| Deborah Willis
| 1992
| |--
| 55
| Ansel Adams: New Light - Essays on His Legacy and Legend
| Michael Read, editor
| 1993
| |--
| 56
| Special Collections: The Photographic Order from Pop to Now
| Charles Stainback
| 1992
| |--
| 57
| Ancestral Dialogues: The Photographs of Albert Chong
| Quincy Troupe
| 1994
| |--
| 58
| American Prospects: Photographs by Joel Sternfeld
| Andy Grundberg and Anne W. Tucker
| 1994
|
Usage examples of "untitled".
No longer can we compel hinds to swink in our fields as their feudal duty, but must hire these oafs for real money, like any untitled squire.
These are aristocrats who, although untitled and owners only of a few modest acres back in Carmarthenshire, descend from ancestors that looked down on William the Conqueror as a plebeian upstart.
As an untitled younger son, Perrine may have discovered that manipulating his victims satisfied his hunger for power as well as his desire to fill his pockets.
Mocenino to Madrid All you barons, counts, and marquises who laugh at an untitled man who calls himself a gentleman, pause and reflect, spare your disdain till you have degraded him.
Richard, as he made his way through all these airports, toting his mail sack of Untitleds and his burden of biographies, wouldn't have minded trying the odd junk novel, but he was too busy reading all this crap about third-class poets and seventh-rate novelists and eleventh-eleven dramatistsbiographies of essayists, polemicists, editors, publishers.
At night he reviewed biographies in his room, and marked up Untitled for the reading in Boston, which was the end of the line.
The night before Richard had extracted a copy of Untitled from his mail sack and, feeling briefly stratospheric, cabbed it round to Dub's West Side address.
Judged by the number of knights that royal vassals were obligated to provide at the King’s summons, Coucy at this time was the leading untitled barony of the realm, ranking immediately behind the great dukedoms and counties which, except for homage owed to the French King, were virtually independent lordships.
One, a noirish untitled pencil sketch, showed the unnerving face of an obviously troubled young woman, while the other, “Lady in Black,” depicted a woman adorned in sadomasochistic garb looking as vulnerable as she did willing.