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traces

n. 1 (plural of trace English) 2 (context uncountable English) minute remnants vb. (en-third-person singular of: trace)

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Traces (book)

Traces is a collection of short stories written by British sci-fi author Stephen Baxter. Unlike similar collections such as Vacuum Diagrams and Phase Space, it is not related to any particular series by Baxter (as, for example, Vacuum Diagrams is related to his Xeelee Sequence).

The book contains the following short stories:

  • "Traces" (1991)
  • "Darkness" (1995)
  • "The Droplet" (1989)
  • "No Longer Touch the Earth" (1993)
  • "Mittelwelt" (1993)
  • "Journey to the King Planet" (1990)
  • "The Jonah Man" (1989)
  • "Downstream" (1993)
  • "The Blood of Angels" (1994)
  • "Columbiad" (1996)
  • "Brigantia's Angels" (1995)
  • "Weep for the Moon" (1992)
  • "Good News" (1994)
  • "Something for Nothing" (1988)
  • "In the Manner of Trees" (1992)
  • "Pilgrim 7" (1993)
  • "Zemlya" (1997)
  • "Moon Six" (1997)
  • "George and the Comet" (1991)
  • "Inherit the Earth" (1992)
  • "In the MSOB" (1996)
  • "Afterword(Traces)" (1998, essay)

Category:1998 short story collections Category:Short story collections by Stephen Baxter Category:Short stories by Stephen Baxter Category:HarperCollins books

TRACES

TRACES, or Trade Control and Expert System, is a web-based veterinarian certification tool used by the European Union for controlling the import and export of live animals and animal products within and without its borders. Its network falls under the responsibility of the European Commission.

Traces (Jean-Jacques Goldman album)

Traces is a 1989 album recorded by French singer-songwriter Jean-Jacques Goldman. It was his second live album and his seventh album overall. It was recorded during the singer's tour 1988, between March and December, in various countries (France, Congo, Belgium). The album was released on 13 March 1989 and spawned two singles which achieved success in France : "Il changeait la vie" (#14), which precedeed the album's release, and "Peur de rien blues" (#17). The album was successful on the French chart.

Traces (Karine Polwart album)

Traces is the fifth studio album by Scottish folk musician Karine Polwart, released in 2012. It was her first solo album in four years, though in the meantime she had appeared as part of the collaborations Darwin Song Project, The Burns Unit and The Fruit Tree Foundation.

The album included a new recording of "We're All Leaving" (previously recorded as part of the Darwin Song Project) and nine new songs, including tracks inspired by the Occupy London protests ("King of Birds"), Donald Trump's controversial golf course development in Aberdeenshire ("Cover Your Eyes") and the 1982 murder of Susan Maxwell ("Half a Mile"). More whimsically, "Tinsel Show" is about Grangemouth Refinery. "Tears for Lot's Wife" is based on a poem by Anna Akhmatova. Although all of Polwart's albums except Fairest Floo'er were released with lyric booklets, Traces was the first to also contain liner notes explaining the background to all of the songs.

The album was Polwart's first official UK Top 75 entry, peaking at number 57.

Traces was shortlisted as Best Album for the BBC Radio 2 Folk Awards 2013, with "King of Birds" shortlisted as Best Original Song and Polwart as Folk Singer of the Year. Traces was also shortlisted for Album of the Year at the Scots Trad Music Awards and for the Scottish Music Industry Association's SAY (Scottish Album of the Year) award.

Traces (song)

"Traces" is a 1968 song by the American rock band Classics IV. Released as a single in January 1969, the song served as the title track off their Traces album. It was written by Buddy Buie, J. R. Cobb and Emory Gordy Jr. The song peaked at position 2 on both the Billboard Hot 100 and Adult Contemporary music charts, making it the highest charting single by the Classics IV, charting even higher than that of " Spooky", " Stormy" and "Everyday With You Girl".

Soul singer Billy Paul covered the song on his 1970 album Ebony Woman. Harry James recorded a version on his 1976 album The King James Version (Sheffield Lab LAB 3).

"Traces" received the honor of being listed in BMI's Top 100 Songs of the Century at number 32.

Usage examples of "traces".

At one table, there were traces of chemical work, various measured heaps of some white salt being laid on glass saucers, as though for an experiment in which the unhappy man had been prevented.

Having removed all traces of the scent of the orchid from our hands with a solution of ammonia Smith and I had followed the programme laid down.

Pilar noticed traces of charring in the rubble as they strolled in the looming shadows.

Staring at her reflection in the mirror, she splashed her face with tepid water in an attempt to erase the traces of her tears.

Last night one of my post-dated letters went to post, the first of that fatal series which is to blot out the very traces of my existence from the earth.

It was begun after you had left, and was an imitation of you, and in that diary she traces by inference certain things to a sleep-walking in which she puts down that you saved her.

True that there were there, as we had seen them in life, the traces of care and pain and waste.

When this was done, and he knew that all was in train, he blotted out his traces, as he thought, by murdering his agent.

Twala sat silent until the traces of the tragedy had been removed, then he addressed us.

Captain Dillon, a shrewd old Pacific sailor, was the first to find unmistakable traces of the wrecks.

Israelites and of the catastrophe to the Egyptians, I will ask whether you have met with the traces under the water of this great historical fact?

It was pitiable to think that the fearless brute should have met his death in such a fashion, and when I bent and examined him I was glad to find traces of life.

His voice, its guttural note alternating with a sibilance on certain words, betrayed no traces of agitation.

The lingering traces of the poison seemed to make him oddly irritable.

The spiral gallery straightened into a steeply ascendent tunnel, its floor bearing abundant traces of the mooncalves, and so straight and short in proportion to its vast arch, that no part of it was absolutely dark.