What is "tom thumb"

Willow \Wil"low\, n. [OE. wilowe, wilwe, AS. wilig, welig; akin to OD. wilge, D. wilg, LG. wilge. Cf. Willy.]

1. (Bot.) Any tree or shrub of the genus Salix, including many species, most of which are characterized often used as an emblem of sorrow, desolation, or desertion. ``A wreath of willow to show my forsaken plight.''
   --Sir W. Scott. Hence, a lover forsaken by, or having lost, the person beloved, is said to wear the willow.

   And I must wear the willow garland For him that's dead or false to me.
   --Campbell.

2. (Textile Manuf.) A machine in which cotton or wool is opened and cleansed by the action of long spikes projecting from a drum which revolves within a box studded with similar spikes; -- probably so called from having been originally a cylindrical cage made of willow rods, though some derive the term from winnow, as denoting the winnowing, or cleansing, action of the machine. Called also willy, twilly, twilly devil, and devil. Almond willow, Pussy willow, Weeping willow. (Bot.) See under Almond, Pussy, and Weeping. Willow biter (Zo["o]l.) the blue tit. [Prov. Eng.] Willow fly (Zo["o]l.), a greenish European stone fly ( Chloroperla viridis); -- called also yellow Sally. Willow gall (Zo["o]l.), a conical, scaly gall produced on willows by the larva of a small dipterous fly ( Cecidomyia strobiloides). Willow grouse (Zo["o]l.), the white ptarmigan. See ptarmigan. Willow lark (Zo["o]l.), the sedge warbler. [Prov. Eng.] Willow ptarmigan (Zo["o]l.)

   1. The European reed bunting, or black-headed bunting. See under Reed.

   2. A sparrow ( Passer salicicolus) native of Asia, Africa, and Southern Europe.

      Willow tea, the prepared leaves of a species of willow largely grown in the neighborhood of Shanghai, extensively used by the poorer classes of Chinese as a substitute for tea.
      --McElrath.

      Willow thrush (Zo["o]l.), a variety of the veery, or Wilson's thrush. See Veery.

      Willow warbler (Zo["o]l.), a very small European warbler ( Phylloscopus trochilus); -- called also bee bird, haybird, golden wren, pettychaps, sweet William, Tom Thumb, and willow wren.

Tom Thumb is a character of English folklore. The History of Tom Thumb was published in 1621, and was the first fairy tale printed in English. Tom is no bigger than his father's thumb, and his adventures include being swallowed by a cow, tangling with giants, and becoming a favourite of King Arthur. The earliest allusions to Tom occur in various 16th-century works such as Reginald Scot's Discovery of Witchcraft (1584), where Tom is cited as one of the supernatural folk employed by servant maids to frighten children.

Tattershall in Lincolnshire, UK, boasts to have the home and grave of Tom Thumb.

Aside from his own tales, Tom figures in Henry Fielding's play Tom Thumb, a companion piece to his The Author's Farce. It was later expanded into a single piece titled The Tragedy of Tragedies, or the History of Tom Thumb the Great.

In the middle 18th century, books began to be published specifically for children (some with their authorship attributed to "Tommy Thumb") and, by the middle 19th century, Tom was a fixture of the nursery library. Charlotte Yonge cleansed questionable passages and the tale took on moral overtones. Dinah Mulock however refrained from scrubbing the tale of its vulgarities. Tom Thumb's story has been adapted to several films including the 1958 George Pal musical tom thumb starring Russ Tamblyn. Tiny folkloric characters like Tom are known in cultures around the world.

Tom Thumb is the name of two fictional characters who are owned by Marvel Comics and appear in the comic books published by that company. Both are loosely based on the DC Comics superhero, the Atom.

Tom Thumb is a diminutive hero of English folklore.

Tom Thumb may also refer to:

Tom Thumb was the first American-built steam locomotive to operate on a common-carrier railroad. Designed and constructed by Peter Cooper in 1830, it was built to convince owners of the newly formed Baltimore and Ohio Railroad (B&O) to use steam engines and not intended to enter revenue service. It is especially remembered as a participant in an impromptu race with a horse-drawn car, which the horse won after Tom Thumb suffered a mechanical failure. However, the demonstration was successful; and in the following year, the railroad committed to the use of steam locomotion and held trials for a working engine.

Tom Thumb (stylised as tom thumb) is a 1958 fantasy- musical film directed by George Pal and released by MGM. The film, based on the fairy tale of the same name, is about a tiny man who manages to outwit two thieves determined to make a fortune from him.

It starred Russ Tamblyn in the title role, with a largely British supporting cast (it was filmed in both Hollywood and London), including Bernard Miles and Jessie Matthews as Tom Thumb's adoptive parents, and comic actors Terry-Thomas and Peter Sellers as the villainous duo who try to exploit the tiny hero for profit.

Director Pal worked with cinematographer Georges Périnal, animators Wah Chang and Gene Warren, art director Elliot Scott and special effects artist Tom Howard to create the animated and fantasy sequences. Peggy Lee wrote the songs, and Douglas Gamley and Ken Jones wrote the music.

The film is referenced in The Wonderful World of the Brothers Grimm (1962) and Pinkeltje (1978). The film is also featured in That's Dancing! (1985)

The filming locations for the movie were in Hollywood, Los Angeles, California, USA and London, England.

Tom Thumb is a play written by Henry Fielding as an addition to The Author's Farce. It was added on 24 April 1730 at Haymarket. It is a low tragedy about a character who is small in both size and status who is granted the hand of a princess in marriage. This infuriates the queen and a member of the court and the play chronicles their attempts to ruin the marriage.

The play incorporated part of the satire in The Author's Farce and also was a farce because the tragedies in the play became absurd. Additionally, Fielding explored many issues with gender roles through his portrayals of characters. Critics largely enjoyed the play and noted its success through comedy. As the play later was edited to become the Tragedy of Tragedies, critics like Alberto Rivero noted its impact on Fielding's later plays.