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symbols

n. (plural of symbol English)

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Symbols (album)

The tenth album by German industrial group KMFDM is titled with a string of five unpronounceable, non-alphabetic symbols (see cover art), but usually cataloged as Symbols. It was released on September 23, 1997, on Wax Trax!/ TVT Records. A digitally remastered reissue of Symbols was released in 2007 on Metropolis Records.

Symbols (band)

Symbols was a Brazilian heavy metal band founded in 1997 and dissolved in 2004. It featured vocals from both Eduardo and Tito Falaschi.

After two very successful releases, Symbols (self-titled) and Call to the End, the band received rising popularity. But as Edu Falaschi joined Angra in 2001 and Tito and Arjonas left, the band nearly broke up. But Rodrigo Mello (Drummer) and Demian Tiguez (Guitar) produced and released in 2004 the album "Faces" with Demian as a lead singer. For this album the bass player Cesar Tallarico joined the band with the keyboardist Fabrizio Di Sarno. In 2005, with a new label, their first two albums were remastered and released.

Usage examples of "symbols".

To this epoch of ardent abstractions and impassioned logomachies belongs the philosophical reign of Julian, an illuminatus and Initiate of the first order, who believed in the unity of God and the universal Dogma of the Trinity, and regretted the loss of nothing of the old world but its magnificent symbols and too graceful images.

And he thus learned the meaning of those symbols, which, to the uninitiated, were but a maze of unintelligible figures.

To them the Gods and the Idols of the Gods were symbols, and symbols of great and mysterious truths.

The resemblance in ceremonial between the observances established in honor of Osiris in Egypt, and those in honor of Bakchos in Greece, the mythological traditions of the two Gods, and the symbols used in the festivals of each, amply prove their identity.

Temple at Hieropolis, covered with symbols relating to the twelve signs and the occult qualities of the elements, were consecrated to the twelve gods or tutelary genii of the signs of the Zodiac.

Jerusalem, the murderess of her prophets, and so often prostituted to the false gods of the Syrians and Babylonians, had at length in its turn lost the Holy Word, when a Prophet announced to the Magi by the consecrated Star of Initiation, came to rend asunder the worn veil of the old Temple, in order to give the Church a new tissue of legends and symbols, that still and ever conceals from the Profane, and ever preserves to the Elect the same truths.

Gods and Idols of Gods were symbols of truth to the ancient Sages, 302-l.

With her traditions reaching back to the earliest times, and her symbols dating further back than even the monumental history of Egypt extends, she invites all men of all religions to enlist under her banners and to war against evil, ignorance, and wrong.

Celsus, as quoted by Origen, tells us that the Persians represented by symbols the two-fold motion of the stars, fixed and planetary, and the passage of the Soul through their successive spheres.

But the Mysteries also represented to the candidate, by sensible symbols, the invisible forces which move this visible Universe, and the virtues, qualities, and powers attached to matter, and which maintain the marvellous order observed therein.

Mysteries represented by symbols the invisible forces of the Universe, 414-l.

We shall not repeat the explanations of these symbols given by the York Rite.

To study and seek to interpret correctly the symbols of the Universe, is the work of the sage and philosopher.

These are the symbols of the tyranny that degrades and crushes, and the corruption that defiles and infests.

The popular theology, taking the multitude of allegories and symbols for realities, degenerated into a worship of the celestial luminaries, of imaginary Deities with human feelings, passions, appetites, and lusts, of idols, stones, animals, reptiles.