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SuperPaint (Macintosh)

SuperPaint was a graphics program capable of both bitmap painting and vector drawing. It was originally written by William Snider, published by Silicon Beach Software, and originally released in 1986 for the Apple Macintosh. William Snider wrote and designed the program from his house on an Apple Lisa. Because there was no commercially available C compiler for the Mac at the time SuperPaint was ready to be compiled, it was done at the San Diego Supercomputer Center. SuperPaint was one of the first programs of its kind, combining the features of MacPaint and MacDraw. Later versions were published by Aldus until about 1992.

As it requires Classic, SuperPaint is unsupported as of Mac OS X version 10.5, but can still be used with the assistance of Mac OS emulators.

SuperPaint

SuperPaint was a pioneering graphics program and framebuffer computer system developed by Richard Shoup at Xerox PARC. The system was first conceptualized in late 1972 and produced its first stable image in April 1973. SuperPaint was among the earliest uses of computer technology for creative artworks, video editing, and computer animation, all of which would become major areas within the entertainment industry and major components of industrial design.

SuperPaint had the ability to capture images from standard video input or combine them with preexisting digital data. SuperPaint was also the first program to use now-ubiquitous features in common computer graphics programs such as changing hue, saturation and value of graphical data, choosing from a preset color palette, custom polygons and lines, virtual paintbrushes and pencils, and auto-filling of images. SuperPaint was also one of the first graphics programs to use a graphical user interface and was one of the earliest to feature anti-aliasing.

SuperPaint was used in the mid-1970s to make custom television graphics for KQED-TV in San Francisco, and later to make technical graphics and animations for the NASA Pioneer Venus project mission in 1978. Due to differences with management at PARC, Shoup left Xerox in 1979 to found graphics company Aurora Systems, while colleague Alvy Ray Smith went to work at New York Institute of Technology. In 1980, Smith and others joined Industrial Light and Magic, George Lucas' movie special effects firm, and this group later founded Pixar. Shoup won an Emmy award in 1983, and an Academy Award shared with Smith and Thomas Porter in 1998, for his development of SuperPaint.