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sestet
The Collaborative International Dictionary
Sestet

Sestet \Ses*tet"\, n. [It. sestetto, fr. sesto sixth, L. sextus, fr. sex six.]

  1. (Mus.) A piece of music composed for six voices or six instruments; a sextet; -- called also sestuor. [Written also sestett, sestette.]

  2. (Poet.) The last six lines of a sonnet.

Douglas Harper's Etymology Dictionary
sestet

1801, from Italian sestetto, diminutive of sesto "sixth," from Latin sextus (see Sextus).

Wiktionary
sestet

n. 1 (context music English) A piece of music composed for six voices or six instruments; a sextet or sestuor. 2 (context poetry English) The last six lines of a poem.

WordNet
sestet
  1. n. the cardinal number that is the sum of five and one [syn: six, 6, VI, sixer, sise, Captain Hicks, half a dozen, sextet, sextuplet, hexad]

  2. six performers or singers who perform together [syn: sextet, sextette]

  3. a set of six similar things considered as a unit [syn: sextet, sextette]

  4. a musical composition written for six performers [syn: sextet, sextette]

  5. a rhythmic group of six lines of verse

Wikipedia
Sestet

A sestet is the name given to the second division of an Italian sonnet (as opposed to an English or Spenserian Sonnet), which must consist of an octave, of eight lines, succeeded by a sestet, of six lines.

The first documented user of this poetical form was the Italian poet, Petrarch. In the usual course the rhymes are arranged abc abc, but this is not necessary. Early Italian sonnets, and in particular those of Dante, often close with the rhyme-arrangement abc cba; but in languages where the sonority of syllables is not so great as it is in Italian, it is incorrect to leave a period of five lines between one rhyme and another. In the quatorzain, there is, properly speaking, no sestet, but a quatrain followed by a couplet, as in the case of English Sonnets. Another form of sestet has only two rhymes, ab ab I ab; as is the case in Gray's famous sonnet On the Death of Richard West.

The sestet should mark the turn of emotion in the sonnet; as a rule it may be said, that the octave having been more or less objective, in the sestet reflection should make its appearance, with a tendency to the subjective manner. For example, in Matthew Arnold's The Better Part, the rough inquirer, who has had his own way in the octave, is replied to as soon as the sestet commences:

So answerest thou; but why not rather say: "Hath man no second life? - Pitch this one high! Sits there no judge in Heaven, our sin to see? - More strictly, then, the inward judge obey! Was Christ a man like us? Ah! let us try If we then, too, can be such men as he!"

Wordsworth and Milton are both remarkable for the dignity with which they conduct the downward wave of the sestet in their sonnet. The French sonneteers of the 16th century, with Ronsard at their head, preferred the softer sound of the arrangement aab ccb I. The German poets have usually wavered between the English and the Italian forms.

A sestet is also six lines of poetry forming a stanza or complete poem.

Usage examples of "sestet".

The sestet ended in a drinking-shop not far from the Souk or Socco, over glasses of warmish pastis.

The octave typically introduces the theme or problem, with the sestet providing the resolution.

She could find no turn for the sestet to take, no epigram, no change of mood.

The octave for the public event, the sestet for the unchanging Marius or Mario.

It has fourteen lines that divide into an octave of a rhyme scheme ABBA ABBA and a sestet CDC DCD, really two tercets.

The sestet which followed, to complete the sonnet, was less derivative and therefore less successful, Dame Beatrice thought.