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rites of passage

n. (plural of rite of passage English)

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Rites of Passage (educational program)

Rites of Passage is an African American History program sponsored by the Stamford, Connecticut US public schools. The program consists of an extra day of schooling on Saturday for 12 weeks, service projects, and a culminating educational trip to Gambia and Senegal. Gambia and Senegal are the ancestral homes of many US African Americans. The highlight of the trip is a visit to Goree Island, and the "Door of no Return". The Door of no Return symbolizes the last point of departure of African slaves being shipped to the Western Hemisphere. As Rodney Bass, the founder and director of the program describes it:

By passing through "The Door of No Return" the students invalidate the legacy of slavery and reconnect with the ancestral heritage, linking their past to their present. We have seen the positive changes in the educational performance of our alumni students, and also the greater impact they have had on our community and the possibilities for their future.

The program is open to 7th grade students. Students must apply and be accepted. Typical participation is 10 to 20 students.

The program was founded by Rodney Bass, a former principal in the Stamford school system. He was moved by his own first visit to West Africa. He and the other teachers who lead the program:

hypothesized that we can help produce healthier young people who now understand slavery was not their beginning, nor the principal means of defining the African-American experience, but instead a real, limited part of a legacy of faith, pride, and endurance that spans millennia.

The program is open to students of all races and heritages. 2010 marked its fifth anniversary.

Rites of Passage (Indigo Girls album)

Rites of Passage is the fourth studio album by Indigo Girls, released in 1992. It was reissued and remastered in 2000 with two bonus tracks.

Rites of Passage (Roger Hodgson album)

Rites of Passage is the third album by Roger Hodgson, recorded in 1996 near Hodgson's home in Nevada City, California and his first live album. It was the last gig of several Californian dates in the summer of 1996.

The album features three Supertramp hits, six songs by Hodgson (five previously unrecorded), two songs written and performed as lead vocalist by Mikail Graham and one song written and performed as lead vocalist by Hodgson's son Andrew.

The cover features the painting The Accolade (1901) by Edmund Blair Leighton.

Rites of Passage (novel)
  1. redirect To the Ends of the Earth#Rites of Passage
Rites of Passage (Brother Ali album)

Rites of Passage is the first album by American hip hop artist Brother Ali. It was released on Rhymesayers Entertainment on April 1, 2000. It is a cassette-only album produced by Brother Ali with very small original circulation. It has been re-issued following Ali's very successful later albums. From the Rhymesayers website: "Rites of Passage is a personal journey through one emcees experience of life and hip hop alike. Features Mad Son of the Unknown Prophets, Queen Aminah and Desdamona."

Due to popular demand, there was an attempt to re-master the tape and put it on CD. Rhymesayers tried to, but were unsuccessful. Instead, they gave their best effort on CDs to the first 300 people that pre-ordered Ali's Champion EP.

Rites of Passage (1999 film)

Rites of Passage is a 1999 thriller film written and directed by Victor Salva. It stars Dean Stockwell, James Remar, and Jason Behr.

Rites of Passage (2012 film)

Rites of Passage is a 2012 American thriller film written and directed by W. Peter Iliff. The film stars Wes Bentley, Kate Maberly, Ryan Donowho, Christian Slater and Stephen Dorff.

Rites of Passage (Sculthorpe)

Rites of Passage is a music theatre work written by the Australian composer Peter Sculthorpe in 1972–73. It is often categorised as an opera, but it does not conform to the traditional concept of opera. It is written for dancers depicting the ritual of initiation of the Aranda people, an indigenous tribe; double SATB chorus singing words from Boethius and others; three percussionists, two tubas, piano (echoed), six cellos and four double basses; but no parts for individual singers. Sculthorpe drew on the approach espoused by Jean-Baptiste Lully, in which dance, drama and music are not separated.

It was commissioned by The Australian Opera for the opening of the Sydney Opera House in October 1973, but it was not ready on time so Sergei Prokofiev's War and Peace was instead staged as the inaugural operatic production at the Opera House.

The delay was brought about partly by difficulties Sculthorpe experienced with the Opera House management, but most particularly in settling on a suitable libretto. He worked with seven writers before finally deciding to write the libretto himself. He wrote most of the work in England, while he was Visiting Professor at the University of Sussex.

The text uses words from Boethius's The Consolation of Philosophy, and also incorporates aboriginal, Ghanaian, and Tibetan chants. The libretto is influenced by Arnold van Gennep's anthropological study of an individual's social transitions. It is written in Latin and the Australian indigenous language Upper Arrernte. The music involves what Sculthorpe calls the Kepler motif, an alternation of the notes G and A-flat, which he has also employed in other works about the Earth.

Rites of Passage was first performed at the Sydney Opera House on 27 September 1974. The Australian Opera Chorus, Australian Dance Theatre under their director Jaap Flier, and the Australian Elizabethan Trust Sydney Orchestra were all led by John Hopkins. Sculthorpe was in attendance, and received both cheers and boos. The work itself received mixed reviews, headed by such disparate lines as "Boring Rites guilty of all that is wrong" and "New opera was great success".

After its initial production, the work has been revived twice:

  • 12 September 1975: at Dallas Brooks Hall, Melbourne, by the Melbourne Chorale and the Victorian College of the Arts Orchestra
  • 8 May 2009: as part of the Canberra International Music Festival and in honour of Sculthorpe's 80th birthday; at the Fitter's Workshop, Kingston, Canberra, with the ANU School of Music Contemporary Music Ensemble; the Oriana Chorale; Roland Peelman; Synergy Percussion with Michael Askill; and the involvement of the composer.

Excerpts from the work have been recorded. The Victorian College of the Arts Orchestra and the Melbourne Chorale Continuing Choir were conducted by John Hopkins.

Sculthorpe's Lament (1976/91) borrowed material from Rites of Passage.

Usage examples of "rites of passage".

But she had no weapons to bring to her own defense, and no weapon-bearing protective male to save her during her rites of passage.

This enchanted grove has held an important place in the rites of passage that bind together the Shapers of Destiny, as the Qualinesti woodshapers are formally known.

I work at it-throwing questions like rocks, whirling anecdotes over my head like bolos, calling up visions of burial customs, rites of passage, and ancient cities, dodging, pacing, always on the move.

He remembered playing late-night games in the forest with his cousins and friends: races through the upper trees, jumping and swinging competitions, daring expeditions to the dangerous lower regions to test each other's courage, and the usual rites of passage that marked a Wookiee youth's transition into adulthood.

Here were also the xenian brothels, where drunken youths cheered each other on to rites of passage, fucking khepri or vod-yanoi women or other more exotic breeds.

That, at least, meant she wasn't likely to be smeared with grease, have her entire body shaved, be required to drink or eat assorted unpalatable substances, or otherwise be subjected to the rites of passage which the senior members of the lodge so cheerfully inflicted upon the newbies in their midst.