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rasa

n. An essential mental state; the dominant emotional theme of a work.

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Raša

Raša may refer to:

  • Raša, Istria County, a town in Istria
  • Raša (river), a river in Istria
  • 11400 Raša, an asteroid named after the river
  • Raša, Slovenia, an abandoned settlement in Slovenia
Rasa (aesthetics)

In Indian aesthetics, a rasa ( lit. 'juice' or 'essence') denotes an essential mental state and is the dominant emotional theme of a work of art or the primary feeling that is evoked in the person that views, reads or hears such a work.

Although the concept of rasa is fundamental to many forms of Indian art including dance, music, musical theatre, cinema and literature, the treatment, interpretation, usage and actual performance of a particular rasa differs greatly between different styles and schools of abhinaya, and the huge regional differences even within one style.

Rasā

Rasa ( ) means "moisture, humidity" in Vedic Sanskrit, and appears as the name of a western tributary of the Indus in the Rigveda (verse 5.53.9).

In RV 9.41.6, RV 10.108 and in the Nirukta of Yaska, it is the name of a mythical stream supposed to flow round the earth and the atmosphere (compare Oceanus), also referring to the underworld in the Mahabharata and the Puranas (compare Styx).

The corresponding term in Avestan is Ranha. In the Vendidad, Ranha is mentioned just after , and may possibly refer to the ocean (Sethna 1992).

Rasa (band)

Rasa are a musical duo that perform bhajan (Indian devotional music) and Western derivations.

Hans Christian is a German-born cellist and multi-instrumentalist. Kim Waters is an American vocalist and devotee of A. C. Bhaktivedanta Swami Prabhupada.

Christian and Waters formed Rasa in 1998, in San Francisco, California. Hearts of Space Records published Rasa's first three albums: Devotion (2000), Union (2001), and Rasa in Concert (2002). Since then, the band has released three additional studio albums through New Earth Records. Their fifth album, Temple of Love (2006), is a tribute to the Khajuraho Group of Monuments.

Rasa (theology)

Rasa ( IAST ) is a Sanskrit theological concept specific to Krishna-centered bhakti traditions, such as Gaudiya Vaishnavism. The theological use of the word can be found early, about two thousand years before the Nimbarka or Caitanya schools of bhakti, in a phrase that Chaitanya traditions frequently quote: "Truly, the Lord is rasa" (raso vai sah) of the Taittiriya Upanishad (2.7.1). This statement expresses the view that God is the one who enjoys the ultimate rasa, or spiritual rapture and emotions.

It is believed Rupa Goswami developed, under the direct guidance of Caitanya, the articulated and formulated theology of rasa as "the soul's particular relationship with the divinity in devotional love".

Rupa's text draws largely from the foundational theory of rasa formed by Bharata Muni, the originator of Sanskrit dramaturgy, or Natya Sastra (perhaps as early as the 2nd century BCE). These relationships with the divinity in devotional love, rasa, can closely resemble the variety of loving feelings that humans experience with one another, such as beloved-lover, friend-friend, parent-child, and master-servant. Rasas are distinguished as lower and higher and according to Bhagavad Gita it appears that the three higher rasas are acknowledged and preferred by Arjuna. The higher rasas are described as loving, friendly, and fraternal types of relationships.

Raša (river)

The river Raša, (, Italian: ) in Croatian Istria is a major river of Croatia's Istria County. It is long, and its basin covers an area of . Its mouth is in the long ria of Raški zaljev/Porto d'Arsia, which is a drowned river valley scoured out when world sea levels were lowered, then drowned by the rising waters of the post glacial era. The Raša rises in springs near Pićan and flows south through a steep-sided valley before opening into the head of the Adriatic Sea. The river, although short in length, has an ancient history as a border.

Usage examples of "rasa".

When the colony ship lifted off for Tabula Rasa, colorblindness was first on its charter for the new society.

Yes, I am once more a young man, sound in wind and limb, with not a tooth or an illusion lost, my mind tabula rasa, my heart to be had for the asking.

They thought he would be easily controlled and, because he was a tabula rasa, would not provoke objections from any of the more established groups.

Skinner argued that the child, or animal, was at birth virtually a tabula rasa, physiologically competent, but behaviorally an empty slate on which experience would cut the grooves that would determine all subsequent patterns of function.

He had enough money to pay for his upkeep for far longer than his body and mind were likely to hold out, and his doctors had advised him that a third core-system rejuvenation was out of the question unless he wanted to start over with a tabula rasa personality.

Caught between the angel and the staff, Kamahl became a tabula rasa, a soul upon which nothing has been written.

And this the French socialists, misled by a priori notions, attempted to do, on the theory of the Contrat-Social, as if they had a tabula rasa, without regarding the existing constituents of society, or traditions, or historical growths.

My thoughts sometimes take a melancholy turn as I sit here in the dusty old house, in my writing room, looking out over the unweeded garden, with the white light coming out of a white sky, all of it a tabula rasa resembling my mind.

Luet was no raveler like her sister Hushidh, but she knew that Rasa was still bound to Gaballufix, even though she detested all his recent actions.

Rash might take the Lady Rasa, but how would that compare with the glorious marriage of the waterseer or the raveler with General Moozh himself?

Virginal paperbacks, their margins a tabula rasa for narcissistic scribbles, were cheap enough to inspire minimal guilt when I wrote in them and bland enough to accept my defacements without complaint.

It had never had much of a taste for the mystical, and with all but the weakest of its evocators and feit workers murdered by the Tabula Rasa, there was nobody to begin the labor of freeing minds locked up in dogmas and utilities.

She was a tabula rasa waiting for someone to draw animated cartoons on.

But Rasa saw Shedemei carryng the water every day now, saw her carry the water right past where Sevet and Kokor were gossiping as they pretended to card camel hair and twine it into string, and Aunt Rasa never said a thing.

But Rasa saw Shedemei carrying the water every day now, saw her carry the water right past where Sevet and Kokor were gossiping as they pretended to card camel hair and twine it into string, and Aunt Rasa never said a thing.