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Oldboy (2003 film)

Oldboy is a 2003 South Korean mystery thriller neo-noir film directed by Park Chan-wook. It is based on the Japanese manga of the same name written by Nobuaki Minegishi and Garon Tsuchiya. Oldboy is the second installment of The Vengeance Trilogy, preceded by Sympathy for Mr. Vengeance and followed by Sympathy for Lady Vengeance.

The film follows the story of Oh Dae-su, who is imprisoned in a cell which resembles a hotel room for 15 years without knowing the identity of his captor or his captor's motives. When he is finally released, Dae-su finds himself still trapped in a web of conspiracy and violence. His own quest for vengeance becomes tied in with romance when he falls in love with an attractive young female sushi chef.

The film won the Grand Prix at the 2004 Cannes Film Festival and high praise from the President of the Jury, director Quentin Tarantino. Critically, the film has been well received in the United States, with an 80% "Certified Fresh" rating at Rotten Tomatoes. Film critic Roger Ebert stated that Oldboy is a "powerful film not because of what it depicts, but because of the depths of the human heart which it strips bare". In 2008 voters on CNN named it one of the ten best Asian films ever made.

An American remake with the same title was released in 2013. It was directed by Spike Lee.

Oldboy (2013 film)

Oldboy is a 2013 American remake of Park Chan-wook's 2003 South Korean film, which is based on the Japanese manga with the same name, published 1996–98. Directed by Spike Lee and written by Mark Protosevich, the film stars Josh Brolin, Elizabeth Olsen, and Sharlto Copley.

The film was released on November 27, 2013. It was the last film to be distributed by FilmDistrict, before Focus Features absorbed the company in October 2013. It received a mixed reception from both critics and audiences, with praise towards the acting and visual style, but criticism for the comparisons to the original and adding nothing new to the film. The film was a box office bomb, being one of Lee's worst-performing films of his directing career.