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cartoons

n. (plural of cartoon English) vb. (en-third-person singular of: cartoon)

Wikipedia
Cartoons (band)

Cartoons, also known as Cartoons DK, were a technobilly/ glam pop band from Denmark, best known for their 1998 Eurodance cover of the 1958 novelty song, " Witch Doctor" by Ross Bagdasarian, as well as for their outlandish plastic costumes and wigs used in live performances as caricatures of 1950s American rock and roll stars. Many of their hits are Europop covers of old rockabilly hits.

The band has so far sold over 2 million albums, making them one of the most successful Danish pop bands ever. They have also been nominated for Danish Grammys according to their official website.

The sextet, who use the stage names Toonie, Sponge, Shooter, Buzz, Puddy, and Boop, were first signed to FLEX Records, moving later to EMI Denmark.

Their most notable single to date is "Witch Doctor", which reached number two in the UK Singles Chart; with its combination of the original's "ooh-ee-ooh-aah-aah" chorus (although lacking that record's double-speed playback of the chorus), driving dance beat and occasional guitar breaks.

They had further success in the UK with the Top 10 hit, "Doodah!" (a version of the American folk song " Camptown Races"); the Top 20 hit "Aisy Waisy", which was performed on Jim Davidson's Generation Game; and a Top 20 debut album, Toonage (Later released with additional songs under the title More Toonage).

Their second album, Toontastic! did not match the success of its predecessor but several notable hits were released from it including "Diddley Dee," "Big Coconuts," and a reworked cover of Les Humphries Singers' "Mama Loo."

Cartoons rounded out their success with a greatest hits album composed of previous tracks from their two albums as well as three new tracks.

In July 2016, Karina Jensen died of cancer. She had been suffering since 2012 when she underwent a double mastectomy. She left behind her husband and two young children.

Cartoons (song)

The Cartoon Song is a contemporary Christian song by Chris Rice, written in 1989 as a tongue-in-cheek skit for a church youth group of middle school students. The song mentions many cartoon characters popular in the United States at that time.

Despite demand for the song, Rice stopped performing the song live in 2004, prompting Rice to write an article for his own official website entitled "Eulogy For A Song About Cartoons." In the article Rice explains that his misunderstood intention in writing the song/skit was to mock the commercial-Christian tendency to "make a Christian version of everything." Rice states, "I was hoping everyone would get the satire, but they missed the satire, and embraced the song as legit.” This legitimizing of the song, evidence of his fans' misunderstanding of the purpose of the song/skit, frustrated Rice to the point of eliminating the song from his live performances, as well as refusal to discuss the song in interviews on the air. In 2004, Rice decided to stop playing the song at concerts. He has kept to his decision, despite popular demand for the song, and despite the fact that Christian radio stations continue to air the song frequently.

Usage examples of "cartoons".

Okay, they didn't actually drop, like in the cartoons, but you get the idea.

We emerged from our offices into corridors of caged whimsy, amid our Far Side cartoons taped to windows, Pepsi-can sculptures taped to the walls, and inflatable sharks hanging from the ceilings, all lit by full-spectrum, complexion-flattering lighting.

She unveiled her new image as we were sitting in front of our Mitsubishi home entertainment totem, eating our last few boxes of Kellogg's Snak-Paks with plastic spoons, deconstructing old Samson and Goliath cartoons, and trying to figure out how/if to wake up my Dad, who was still passed out on Michael's bed.

Marvin was that character from Bugs Bunny cartoons who wanted to blow up Earth because it obscured his view of Venus.

The weekly fan magazine APA-L printed, as back covers, a string of cartoons showing huge structures of peculiar shape, usually with a sun hovering somewhere near the center.

LETTER TO SCIENCE FICTION REVIEW, NOVEMBER 1978 Enclosed are five cartoons and a possibly cryptic list, and this letter.

I say, and if I were in one of his cartoons, there would be icicles hanging from my balloon.

And I tell him that his cartoons are beautiful and funny and sad and true.

Fredericks' earlier words about risking their lives for cartoons came back to him, made even more daunting now by the idea that he might have figured out something critically important about Otherland and the Grail Brotherhood, and that it would thus be doubly unfortunate if he and Fredericks didn't live to inform Renie, !

Attack met counterattack, back and forth, until most of the combatants were disabled or as dead as cartoons could be expected to become.

Tom had passed a fair amount of time watching cartoons on the television-they hadn't brought back any memories-and now he was back to pacing the hallways again.

He advocated educational programming for youngsters on the Network, even though shows like that produced far less revenue than after-school cartoons and adventure shows.

Their children with their shrill little demands to see the Trolls and the other characters from Japanese cartoons, or to ride the hated Nazi Stuka.

Only two of the subjects felt well enough now to remain in the open bay with the TV cartoons and the whiskey, and Killgore figured they'd be in here by the end of the week, so full was their blood with Shiva antibodies.