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Douglas Harper's Etymology Dictionary
Ashanti

1705, Asiantines, one of the Akan people of central Ghana; native name. As a language, it is part of the Niger-Congo family.

Wiktionary
ashanti

alt. A member of a nation and ethnic group of Akan origin, found mainly in Ghana and Ivory Coast. n. A member of a nation and ethnic group of Akan origin, found mainly in Ghana and Ivory Coast.

Wikipedia
Ashanti (singer)

Ashanti Shequoiya Douglas (born October 13, 1980), known simply as Ashanti, is an American singer, songwriter, record producer, dancer and actress. Ashanti is known for her eponymous debut album, which featured the hit song " Foolish", and sold over 503,000 copies in its first week of release throughout the U.S. in April 2002. In 2003, the self-titled debut album won Ashanti her first Grammy Award for Best Contemporary R&B album. Her second release continued her success and platinum certifications throughout the 2000s and her hit singles.

Ashanti wrote and sang background on Jennifer Lopez's " Ain't It Funny (Murder Remix)", which reached number one on Billboard Hot 100, which was also in the top 10 chart at the same time as " Foolish", " Always on Time" (with Ja Rule), and " What's Luv?" (with Fat Joe). Later that year, she was acclaimed as the "Princess Of Hip-Hop & R&B" by her label and capped off her successful debut by winning eight Billboard awards and two American Music Awards.

Ashanti cites Whitney Houston, Janet Jackson, Prince, Madonna, Tupac Shakur, Mary J. Blige, Ella Fitzgerald, Smokey Robinson, Donna Summer, and Blue Magic as her musical influences. She is currently working on her own publishing company titled Written Entertainment.

Ashanti (album)

Ashanti is the self-titled debut studio album by American R&B recording artist Ashanti; it was released on April 2, 2002, by Murder Inc. Records and Def Jam Records. The album was recorded between 2001 and 2002 in Crackhouse Studios ( New York) and SoundCastle Studios ( Los Angeles), during the period of time where Ashanti was writing for other artists. Ashanti worked with a variety of producers including Irv Gotti, Chink Santana, 7 Aurelius, Jared Thomas, Reggie Wright as well as Ashanti co-writing all the songs on the album. Its music incorporates R&B, hip hop, hip hop soul and urban. The album features guest vocals from The Notorious B.I.G., Irv Gotti and Ja Rule.

Ashanti debuted at number one on the US Billboard 200 and Top R&B/Hip-Hop Albums chart with first-week sales of an impressive 503,000 units, the biggest first-week sales for a debut female artist. The album was certified triple platinum by the Recording Industry Association of America for shipments of 3,000,000 copies on December 17, 2002. It earned Ashanti three Grammy nominations for Best New Artist, Best Contemporary R&B Album, and Best Female R&B Vocal Performance. Ashanti also received two additional Grammy nominations in the same year for other projects, both in the category of Best Rap/Sung Collaboration.

Billboard magazine ranked Ashanti at number 100 on its Top 200 Albums of the Decade.

Ashanti

Ashanti may refer to:

  • Ashanti Empire, a pre-colonial West African state in what is now southern Ghana
  • Ashanti language or Asante, one of three literary dialects of the Akan language of southern Ghana
  • Ashanti people, an ethnic group, the natives of Ashanti Region
  • Ashanti Region, a region within Ghana
Ashanti (1982 film)

Ashanti is a 1982 Hindi-language action-crime film directed by Umesh Mehra, starring Rajesh Khanna, Mithun Chakraborty, Jeevan, Zeenat Aman, Parveen Babi, Shabana Azmi and Amrish Puri.

Ashanti (1979 film)

Ashanti (also called Ashanti, Land of No Mercy) is a 1979 action adventure film, produced by Georges-Alain Vuille, and directed by Richard Fleischer. Despite its impressive cast and setting (on location in the Sahara, and in Kenya, Israel, and Sicily), it was widely panned by critics upon release. Michael Caine was reportedly very disappointed with the project and claims it was the third worst film along with his previous films The Magus and The Swarm (despite appearing in other failures in the 1980s), after director Fleischer and co-star Beverly Johnson, were both removed from filming two-thirds of the way through the shoot. Fleischer departed after being hospitalised with sunstroke. However, an interview with Ms. Johnson included on the 2013 Severin Films Blu-ray edition of Ashanti makes no reference to these "removals," suggesting that they may belong to myth.

This is one of William Holden's final films. Both Fleischer and cinematographer Tonti had previously worked together on Barabbas (1961).

Usage examples of "ashanti".

Tallam had told Bronden that Seeklat was to look for new recruits to serve with the Ashanti servants.

The Ashanti whom Lothkal had sent upstairs to Bronden had not returned within the specific time.

As soon as Bronden received the paper, the Ashanti retired to his post.

In fact, the Ashanti were famous for their handicraft with the precious metal.

The Ashanti ascended a broad stairway, leaving The Shadow in a sumptuous lower hall.

There, The Shadow saw the Ashanti whom he had met below, accompanied by two others.

Sidney Tallam, Member Alpha of the Golden Masks, stood protected and his trio of Ashanti servants had the same security.

SAGGING as he watched the face of the Ashanti guard, The Shadow decided to make the best of his plight.

Twenty minutes later, the Ashanti doorkeeper arrived to announce that Barfield had entered.

Motioning Barfield to a chair, Tallam ordered the Ashanti to return downstairs.

Holding his fixed stare, The Shadow saw Lothkal, the Ashanti guard, staring through the outside glass.

No amount of persuasion or torture could induce any Ashanti to betray a chief.

Though they pretended otherwise, the leaders of the Golden Masks cared nothing about the fate of their Ashanti followers.

Though the big Ashanti strode along with eyes straight forward, there was little that escaped his observation.

It sometimes tricked him, however, for passers occasionally kept looking at the huge Ashanti through curiosity.