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agrippa

n. a Latin cognomen; borne by important figures of the classical era such as http://en.wikipedia.org/wiki/Marcus%20Vipsanius%20Agrippa and several kings of Judea, mentioned in the bible

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Agrippa

Agrippa may refer to:

Agrippa (crater)

Agrippa is a lunar impact crater that is located at the southeast edge of the Mare Vaporum. It is located to the north of the crater Godin, and the irregular Tempel lies just to the east. To the north and northeast, the rille designated Rima Ariadaeus follows a course to the east-southeast, reaching the western edge of Mare Tranquillitatis. It is named after the 1st century Greek astronomer Agrippa.

The rim of Agrippa has an unusual shape, resembling the form of a shield with a rounded southern rim and a more angular northern half. The interior is somewhat irregular, with a central rise at the midpoint. Agrippa is 46 kilometers in diameter and 3.1 kilometers deep. The crater is from the Eratosthenian period, which lasted from 3.2 to 1.1 billion years ago.

Agrippa (mythology)

In Greco-Roman mythology, Agrippa (said to have reigned 914-873 BC) was a descendant of Aeneas and King of Alba Longa, the capital of Latium, southeast of Rome. He was listed as king of Alba Longa in the time of Augustus. Some speculate that this was done in order to give prestige to Augustus' friend and son in law Marcus Vipsanius Agrippa. He was also great great great great grandfather to the famous founders of Rome, Romulus and Remus.

Agrippa (astronomer)

Agrippa (; fl. 92 AD) was a Greek astronomer. The only thing that is known about him regards an astronomical observation that he made in 92 AD, which is cited by Ptolemy ( Almagest, VII, 3). Ptolemy writes that in the twelfth year of the reign of Domitian, on the seventh day of the Bithynian month Metrous, Agrippa observed the occultation of a part of the Pleiades by the southernmost part of the Moon.

The purpose of Agrippa's observation was probably to check the precession of the equinoxes, which was discovered by Hipparchus.

The lunar crater Agrippa is named after him.

Agrippa (A Book of the Dead)

Agrippa (A Book of the Dead) is a work of art created by science fiction novelist William Gibson, artist Dennis Ashbaugh and publisher Kevin Begos Jr. in 1992. The work consists of a 300-line semi-autobiographical electronic poem by Gibson, embedded in an artist's book by Ashbaugh. Gibson's text focused on the ethereal nature of memories (the title is taken from a photo album). Its principal notoriety arose from the fact that the poem, stored on a 3.5" floppy disk, was programmed to encrypt itself after a single use; similarly, the pages of the artist's book were treated with photosensitive chemicals, effecting the gradual fading of the words and images from the book's first exposure to light.

Agrippa (praenomen)

Agrippa is a Latin praenomen, or personal name, which was most common during the early centuries of the Roman Republic. It was sometimes abbreviated Agr., or occasionally Agripp.; both forms are found in the Capitoline Fasti. Despite ending in -a, it is a masculine name. The feminine form was probably Agrippina, which is also found as a cognomen, or surname, but no examples of its use as a praenomen have survived.

The praenomen Agrippa was regularly used by two patrician gentes, gens Furia and gens Menenia, who held several consulships during the early Republic. It was also the name of one of the legendary kings of Alba Longa, Agrippa Silvius, whose descendants came to Rome following the destruction of that city during the reign of Tullus Hostilius.

Although the name is not known to have been used as a praenomen by any other gentes, it appeared as a cognomen in several families, including the Asinii, Fonteii, Haterii, Julii, and Vipsanii. Each of these families may once have used Agrippa as a praenomen. As a cognomen, the name survived into Imperial times. With the gradual abandonment of the Roman nomenclature system, Agrippa once again became a personal name, surviving into modern times.

Usage examples of "agrippa".

Marcellus was thought by a few shrewd observers to be that of making Agrippa jealous.

It was now thought by these same shrewd observers that Livia was playing a very dangerous game in making Agrippa jealous of Marcellus, and events were watched with great interest.

Perhaps her devotion to Marcellus was a sham and her real intention was that Agrippa should be goaded into putting nim out of the way.

Marcellus and kill him: but that Agrippa, though he was no less jealous than Livia had intended him to be, was too honourable to accept such a base suggestion.

He tried to carry the matter off by being pointedly rude to Agrippa at a public banquet.

Marcellus was the offended and Agrippa wished to put the whole burden OB him.

Augustus, who had himself been greatly disturbed by it, torn between old friendship for Agrippa and indulgent paternal love for Marcellus, did not allow himself to consider how generously Agrippa was behaving, for that would have been a confession of his own weakness, and so made no reference to the matter either.

There would certainly have been civil war again between him and Agrippa if Augustus had died and he had attempted to step into his place: now Agrippa was the only possible successor.

But Agrippa had been nursing his grudge too long to be grateful for this summons.

Augustus, fearing that Agrippa, if he went to Rome in his present mood, would be more inclined to put himself forward as a champion of popular liberties than to support the Imperial government, dismissed him with words of gracious regret and hurriedly summoned Maecenas to ask his advice.

He wished Livia were present to advise him, but there was no escape from an instant decision: if he offended Agrippa now he would never recover his support.

He sent for Agrippa again, and Maecenas staged a dignified scene of reconciliation.

I am compelled to report that the boy Agrippa Postumus is inclined to display a savage, domineering and intractable temper.

I also believe that there were no grounds for the charges made against her many years later, of infidelity to Agrippa while she was married to him.

Augustus himself is of opinion that this is the safest course to take, for Postumus is ambitious: the same sort of uncomfortable situation must not arise as when the young nobles supported Marcellus against Agrippa or Gaius against Tiberius.